Winter had come to much of the world with the land of lightning experiencing thick snowfall while the land of fire continued to suffer under a myriad of bad weather conditions but in the land of wind the sun still beat down harshly on the village though not to the extremes you would experience in the summer creating a pleasant dry heat that allowed the citizens to take on activities that would have led to heatstroke in the summer but now could be enjoyed to their full extent. On the edge of the resident district facing towards the commercial section of the village was an old but well maintained house of moderate size with the Nanjirou crest emblazoned proudly on a small tori gate at the front of the house but despite it being a clan house the owner seemed to not care for privacy at all as other than Tori gate the house had no outer walls allowing any passer by to greet the family that lived there which people often did as the family would call out to many people with friendly hello's or question about how they were doing and despite their relatively small time in the village they were already well liked within the small community around their property with many villages just walked into the Nanjirou house to visit the patriarchs of the household.
On the far side of the family house away from the gate was a small roofed patio that had been converted into a blacksmithing forge and this is where one would often find the middle child of the family as the rhythmic sounds of a hammer striking metal filled the air. If anyone looked inside the forge they would find a young girl inside her ebony locks trailing down her back while a featureless white mask hid the girls face from view. Currently the girl was wearing a yukata made of a thick dark material that gave it an almost ceremonial feel with her left shoulder bare exposing her chest wraps while the material pooled around her waist. Held within her right hand was a pair of tongs clutching a white hot piece of metal while in her right hand a large black hefted hammer was clasped being brought down by an arm that was surprisingly muscular for a child of her age doating that the girl had most likely being practicing the art of foraging from an extremely young age. The crashing peel of the hammer was accompanied by the child's voice as she sung loudly and soulfully over the metal almost as if she was singing to the metal to bring out the best results.
"Shibasi mo yasumazu tsuchi utsu hibiki
Tobichiru hibana yo hashiru yudama
Fuigo no kaze sae iki omo tsugazu
Shigoto ni sei dasu mura no kajiya
Aruji wa nadakai hatarakimono yo
Hayaoki hayane no yamai shirazu
Naganen kitaeta jiman no ude de
Uchidasu suki kuwa kokoro komoru"
Ranran continued her work focusing hard as her words continued seeming to help her keep exact time as she struck the metal again before finally the song finished and the girl plunged the metal she had been working on into a nearby barrel of quenching solution.
[Rough Translation:
The sound of the hammer continues without a pause
The sparks splash out, boiling water rising up
The bellows blow fiercely without taking a breath
The village blacksmith is working so hard.
The master is famous for his stubborn personality
He keeps early hours, maintaining his health
He is proud of his mastery from many long, long years
And he makes spades and hoes with confidence.]
[MFT]
WC: 510
On the far side of the family house away from the gate was a small roofed patio that had been converted into a blacksmithing forge and this is where one would often find the middle child of the family as the rhythmic sounds of a hammer striking metal filled the air. If anyone looked inside the forge they would find a young girl inside her ebony locks trailing down her back while a featureless white mask hid the girls face from view. Currently the girl was wearing a yukata made of a thick dark material that gave it an almost ceremonial feel with her left shoulder bare exposing her chest wraps while the material pooled around her waist. Held within her right hand was a pair of tongs clutching a white hot piece of metal while in her right hand a large black hefted hammer was clasped being brought down by an arm that was surprisingly muscular for a child of her age doating that the girl had most likely being practicing the art of foraging from an extremely young age. The crashing peel of the hammer was accompanied by the child's voice as she sung loudly and soulfully over the metal almost as if she was singing to the metal to bring out the best results.
"Shibasi mo yasumazu tsuchi utsu hibiki
Tobichiru hibana yo hashiru yudama
Fuigo no kaze sae iki omo tsugazu
Shigoto ni sei dasu mura no kajiya
Aruji wa nadakai hatarakimono yo
Hayaoki hayane no yamai shirazu
Naganen kitaeta jiman no ude de
Uchidasu suki kuwa kokoro komoru"
Ranran continued her work focusing hard as her words continued seeming to help her keep exact time as she struck the metal again before finally the song finished and the girl plunged the metal she had been working on into a nearby barrel of quenching solution.
[Rough Translation:
The sound of the hammer continues without a pause
The sparks splash out, boiling water rising up
The bellows blow fiercely without taking a breath
The village blacksmith is working so hard.
The master is famous for his stubborn personality
He keeps early hours, maintaining his health
He is proud of his mastery from many long, long years
And he makes spades and hoes with confidence.]
[MFT]
WC: 510
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